Rickenbacker 330

The Rickenbacker 330 is part of Rickenbacker's 300 series of guitars, the series for which Rickenbacker is perhaps best known. The 330 entered the Rickenbacker product line in 1958, though at the time the 300 series of guitars was known as the "Capri" series. It was designed by the German luthier Roger Rossmeisl. The guitar is associated by many players with the jangle-rock sounds of bands from the 1960s and 1980s. The instrument incorporates many features standard on Rickenbacker guitars, including a three-ply maple/walnut neck, a shallow headstock angle, and a thick rosewood fretboard finished with clear conversion varnish. The 330 also features a body with Rickenbacker's "crescent moon" double-cutaway shape with sharp, unbound edges, and an "R"-shaped trapeze tailpiece. One idiosyncrasy of the guitar is its dual truss rods, which allow for the correction of problematic and unwanted twists, as well as curvature, of the guitar's neck. The 330 is equipped with a monaural jack plate, lacking the Rick-O-Sound stereo functionality of other Rickenbacker models such as the Rickenbacker 360.

The Rickenbacker 330, like all Rickenbacker models, is manufactured in the United States, specifically within the Rickenbacker factory located in Santa Ana, California. It is not mass-produced, but rather produced-to-order for dealers and individual customers. It carries a MSRP of $1,999.00. The 330 is the top-selling instrument within Rickenbacker's lineup, as stated by the company's CEO: "The 330 is the biggest seller, followed quite closely by the 360, and 4003. Those three alone make up about 70% of our sales."

- John Hall

From 1970 to 1974 Rickenbacker offered the 331, or what became known as the "Light Show" guitar. This version had a built in light organ, with an external power supply.

Prior to 2008, this model was also available with an additional pickup (Model 340, 340/12 12 string version). Also offered as a twelve string version (Model 330/12 respectively). During the Rose Morris Rickenbacker export to the UK, this model was available as the model 1997, and the 340 was called the 1998. Rather than featuring the standard Rickenbacker slash-shaped sound hole, both guitars featured an f-shaped violin sound hole, which made these guitars instant collector's items.

Model specs

 * No. Frets 24 (originally 21 until 1970)
 * Scale Length 62.9 cm (24$3/4$")
 * Neck Width at Nut 41.4 mm (1.63")
 * Neck Width at 12th Fret 49.05 mm (1.931")
 * Crown Radius 25.4 cm (10")
 * Weight 3.6 kg (8.0 lbs.)
 * Overall Length 100.3 cm (39$1/2$")
 * Overall Width 38.1 cm (15")
 * Overall Depth 38.1 mm (1$1/2$")
 * Schaller Machine Heads

Rickenbacker 330s are optimized for and equipped with 10–46 gauge, compressed, round-wound strings:

Pickups
Modern 330s are equipped with Rickenbacker's Hi-Gain single-coil pickups. Formerly, the model came equipped with Rickenbacker's Toaster pickups. The Hi-Gains have noticeably higher output than the Toasters, though this has resulted in the character of the sound in current models being slightly different from that of the older, pre-1970s models. Because of the tone of the guitar, of which the pickups play a major role, the Rickenbacker 330 tends to be favored by musicians pursuing a jangle-rock/pop or British Invasion style of play and sound. The sound of the old Toaster pickups has been associated with such musical acts as The Byrds and The Beatles, while the newer Hi-Gain pickups are more representative of the sound of groups such as The Smiths and R.E.M..

Fifth control knob
For each of the 330's two pickups there are two knobs that control tone and volume. However in 1961, a fifth "blend" knob was added to the guitar to expand the possible adjustment of the guitar's tone. This knob has several different functions, such as acting as a tone blender between pickups and as a general EQ between the bass and treble tones of the guitar. Its primary function, however, is to serve as a bass pickup volume equalizer, allowing for the generally quieter bridge pickup to be brought up to comparable levels of volume with the neck pickup. Furthermore, when neck pickup is in use, the fifth knob does not do much except dropping the overall volume. In fact, the volume at bass pickup is much louder than the sound of bridge pickup regardless of fifth knob settings.

Notable players

 * Roger McGuinn of The Byrds
 * Hilton Valentine of The Animals
 * Jay Ferguson of Sloan
 * Pete Townshend of The Who
 * Tom Petty of Tom Petty & The Heartbreakers
 * Peter Banks of Yes & Flash
 * James Anthony (Canadian blues artist)
 * Denny Laine of The Moody Blues
 * Susanna Hoffs of The Bangles
 * Gerry Marsden of Gerry and the Pacemakers
 * Wally Palmar of The Romantics
 * Thomas Erak of The Fall of Troy
 * Paul Weller of The Jam
 * Terry Six of The Nice Boys and The Exploding Hearts
 * Noel Gallagher of Oasis
 * Johnny Marr of The Smiths
 * Daniel Johns of Silverchair
 * Guy Picciotto of Fugazi
 * Dan Lukacinsky of The Suicide Machines
 * Carrie Brownstein of Sleater-Kinney
 * John Linger of Neils Children
 * Jason Wilcox of Swirl Apart
 * Kurt Ballou of Converge
 * Thom Yorke of Radiohead
 * Brix Smith of The Fall
 * Charles Bert of Math and Physics Club
 * Peter Buck of R.E.M.
 * Kevin Parker of Tame Impala
 * Dom Simper of Tame Impala
 * Mick Whitnall of Babyshambles
 * Keeley Davis of Sparta and Engine Down
 * Laura Jane Grace of Against Me!
 * Tom Rowley of Milburn
 * Daniel Kessler of Interpol
 * Jason Friedman of The Hundred in the Hands
 * The Edge of U2
 * John Linger of Neils Children
 * Mick "London" Hale of Mod Fun
 * Jimmy Page of Led Zeppelin
 * Jon Walker of The Young Veins
 * James Dean Bradfield of the Manic Street Preachers
 * carol van dijk of Bettie Serveert
 * Jesse Lacey of Brand New
 * Per Gessle of Roxette
 * Jake Bonn of Saigon Pharmacy
 * Gem Archer of Oasis and Beady Eye
 * Andy Bell of Ride, Oasis and Beady Eye
 * Stan Cullimore of The Housemartins
 * Joe Hawley of Tally Hall
 * Chris Olley of Six by Seven
 * Sean Caskey of Last Dinosaurs
 * Paul Atkinson of The Zombies
 * Donovan
 * Todd Rundgren
 * Graham Nash of The Hollies and Crosby, Stills, Nash and Young
 * Wendy Melvoin of Prince and The Revolution
 * Bruce Springsteen
 * Sheryl Crow
 * Paul Westerberg of The Replacements
 * Chad Allan of The Guess Who
 * Alvaro Henriquez of Los Tres
 * Billie Joe Armstrong of Green Day